My research examines how visual culture functions as a tool of power, resistance and identity-making within specific geographies and their diasporas. I explore how artists navigate tensions between state control, decolonisation and autonomy, and how art operates as both a mirror and challenger to political systems.
SOAS University of London / London
2015 – 2022
Thesis: Contesting Convention: Contemporary Art within the Political Landscape of Post-Soviet Central Asia
Sotheby’s Institute of Art / London
2011 – 2013
Thesis: Performing in the Interstice of Mutating Regimes: Erbossyn Meldibekov and the Rhetoric of Representation
The School of the Art Institute of Chicago / Chicago
2004 – 2007
Ploskonka, Kasia. Contesting Convention: The Politics of Art in Contemporary Central Asia (book manuscript, under discussion, publication date TBC).
Ploskonka, Kasia. Diversity in Art Fund Awards: A Review of Artists, Institutions and Regions. Internal Report, Art Fund UK, 2025.
Ploskonka, Kasia. ‘Contesting Convention: Agency in Dushanbe’s Contemporary Art Scene’. In Tiesenhausen, Aliya de, ed. The Social Role of Art and Culture in Central Asia. London: Routledge, 2022: 97-113. https://doi.org/10.4324/9781003259909.
Montgomery, David, ed. Central Asia: Context for Understanding. Pittsburgh, Pa.: University of Pittsburgh Press, 2022. (Kasia Ploskonka photography contributor).
Ploskonka, Kasia. ‘Contesting Convention: Agency in Dushanbe’s Contemporary Art Scene’. Central Asian Survey 40, no. 1 (2 January 2021): 97–112. https://doi.org/10.1080/02634937.2020.1865270.
Ploskonka, Kasia. ‘Post-Soviet Migration in Central Asia through the Lens of Contemporary Art.’ Nomadic Art Camp 2017: Stocktaking for Broader Promotion of Sustainable Management of Mountain Resources and Landscapes, vol. 2017 (2018): 46–48.
Ploskonka, Kasia. ‘Post-Soviet Migration in Central Asia through the Lens of Contemporary Art.’ Nomadic Art Camp 2017: Stocktaking for Broader Promotion of Sustainable Management of Mountain Resources and Landscapes, vol. 2017 (2018): 46–48.
Ploskonka, Kasia. ‘Mankurtism, Monuments and Marketing: Identity and Power in Post-Soviet Contemporary Art of Central Asia.’ The SOAS Journal of Postgraduate Research, vol. 9 (2015–16): 47–64.
Central Eurasian Studies Society's (CESS) first-ever photo contest under the title: “The Researcher and His/Her Fieldwork in Central Eurasia“. Scholars and journalists present photos that reflect on the relationship between the researcher and the object of research and illuminate the different faces of fieldwork: https://voicesoncentralasia.org/the-researcher-and-his-her-fieldwork-in-central-eurasia-photo-gallery/
CAPture Photo Contest Winner for images of 'Central Asia in Focus': https://centralasiaprogram.org/capture-photo-contest-central-asia-in-focus
The Seventh Annual Doctoral Research Workshop on Central Asia | Art and Culture – Actors or Representatives? Senate House, London (26 Jan 2019)
Central Asia, Middle East, Contemporary Art, Art & Agency, Power, Nation building, Art and Politics, Activism and Visual Culture
SOAS University of London, History of Art & Archaeology
Central Eurasian Studies Society (CESS)
Association for Art History (AAH)